The Not Still
Art Festival
was created in 1996 to celebrate abstract and non-narrative
video art
and
its relationship to music and sound. This painterly motion
art form,
made
with electronic tools, is barely 25 years old.
Unlike film
animation,
which is created in a "frame-by-frame" technique, electronic
motion
imaging
allows video artists to create in real time. This ability to
make
moving
images, much as a musician makes music (as the inspiration
occurs), is
unprecedented in the history of animation. The Not Still Art
Festival
presents
work in which the visual uniqueness of the electronic medium
is a
determining
aesthetic element. It is concerned with the equal
collaboration of
image
and music/sound and with the abstract, non-verbal mode of
expression
that
this genre represents.
"These passionate [abstract] compositions are not
limited to the purely visual celebration of what pleases the
eyes. They
reach beyond the world of the senses to symbolize the forces
that
activate life and the physical world with all their overwhelming
complexity." from Rudolf Arnheim's essay "What Became of
Abstraction?",
p. 22, To The Rescue of Art U. of CA Press, 1992. HR