Saturday April 29th., 2000 - 2 pm
PAIK-ABE SCREENING
The "Paik-Abe Screening" celebrates the early analog video
synthesizer
designed by Nam June Paik
and Shuya Abe, considered one of the pre-eminent colorizers
by pioneer
video artists. Jud Yalkut's
early film documentation of Nam June's use of the synthesizer
at
WGBH Boston will be screened
as well as pieces created in the 1970s and 80s by other
artists.
A paper on the history of the Paik-Abe by
George Fifield, media curator of the DeCordova Museum and
Director
of the Cyberarts Festival
in Boston, will be presented.
Video Commune - The Beatles from Beginning to End
film documentary of the 1970 WGBH-TV broadcast of
Nam June Paik's debut of the Paik-Abe Synthesizer
Jud Yalkut 8:36
Video Wallpaper, 1972
Bill Etra 3:00
Topography, 1974
Carol Goss 3:18
El Corandero, 1979
Shalom Gorewitz 5:00
Between the Motion and the Act Falls the Shadow, 1981
Reynold Weidenaar 5:31
Songs for Synthesized Piano: Chorale, 1983
Mary Ross 1:53
The above programs were recorded at the Experimental Television
Center
in Binghamton, New York, with the exception of Video Commune,
recorded at WGBH Boston and Bill Etra's Video Wallpaper,
recorded
at
the TV Lab, WNET-TV NYC.
For a brief overview of the Paik-Abe Synthesizer:
http://www.audiovisualizers.com/toolshak/vidsynth/paik_abe/paik_abe.htm
PRESS RELEASE
NOT STILL ART at the MICRO MUSEUM
123 Smith Street, Brooklyn, NY
(718) 797-3116
(the Bergen Street Station on the F train)
Day Pass: $15. in advance, $20. at the door
Get
the "DAY PASS" to NSA 2000 OnLine via Credit Card!
Directions
The NOT STILL ART FESTIVAL was created in 1996 to celebrate abstract and non-narrative electronic motion imaging and its relationship to music and sound. The visual uniqueness of the electronic medium is a determining aesthetic element in work screened at the Festival. |
"These passionate [abstract] compositions are not limited
to the
purely visual celebration of what pleases the eyes. They reach
beyond the
world of the senses to symbolize the forces that activate life
and the
physical world with all their overwhelming complexity."
from
Rudolf Arnheim's essay "What Became of Abstraction?", p. 22, To
The
Rescue of Art U. of CA Press, 1992. HR
Copyright Not Still Art All Rights Reserved.