PRESS RELEASE January, 2000
E-MAIL: NotStillArt@improvart.com
CONTACT: Eba Twyford (718) 797-3116
DIRECTIONS
Not Still Art Festival
Saturday, April 29, 2000
at the Micro Museum @ 123 Smith Street Brooklyn, NY
Day Pass: $15. in advance, $20. at the door
Three Programs - One Day
2:00 pm - PAIK-ABE SCREENING,
Nam June Paik 1971 film/video by
Jud Yalkut, historical tapes from the Paik/Abe analog
video synthesizer,
background paper by George Fifield, DeCordova Museum
3:00 pm - NOT STILL ART INTERNATIONAL
SCREENING 2000
from Moscow and beyond, abstract and non-narrative
media art,
followed by artists discussion
7:00 pm - "MAY DAY, MAY DAY" Performance with
live computer/video imaging, dance, music by
NATO, Goss & Bley, W2 & Zipperspy, The Lumina
Project
The Not Still Art Festival will present two screenings and a tour de force performance,
"MAY DAY, MAY DAY", during its day long media marathon on Saturday April 29th., at the
Micro Museum in Brooklyn. "MAY DAY, MAY DAY", performed at 7:00 pm, two days before
this auspicious first day of May, presents live computer and video imaging, music, and dance
based on the pagan and political significance of May Day. Four performance groups will
participate, including: media artists - Nick Fortunato, Carol Goss, William Laziza, Walter
Wright; dancer - Vanessa Bley; and musicians - Curtis Bahn, Haze Greenfield,
Dan Trueman, Maria Zipperspy.
The Not Still Art Festival, termed "irreverent, annoying, and downright pre-cognitive" by
artistic director, Carol Goss, kicks off with the "Paik-Abe Screening" at 2:00 pm and the "Not
Still Art International Screening 2000" at 3:00 pm. The "Paik-Abe Screening" celebrates the
early analog video synthesizer designed by Nam June Paik and Shuya Abe, considered one of the
pre-eminent colorizers by pioneer video artists. Jud Yalkut's early film and video documentation
of Nam June's use of the synthesizer at WNET will be screened as well as pieces created from
the 1970s by Bill Etra, Goss and others. A paper on the history of the Paik-Abe by George Fifield,
media curator of the Decordova Museum and director of the Cyberarts Festival in Boston, will be
presented.
The fifth annual "Not Still Art Festival International Screening 2000" at 3:00 pm includes work from
a Moscow video art collective in addition to computer animation and video work from an international
Call for Entries. Screened artists attend, so expect a lively discussion to follow the 90 minute
program. Nearby restaurants are recommended for the dinner break before the
7:00 pm performance of "MAY DAY, MAY DAY".
The Independent Film and Video Magazine called last year's Not Still Art Festival, at
Cyberarts in Boston, a "big hit". The Festival, which is held in a different city each year,
provides a forum for artists working in abstract and non-narrative electronic motion imaging,
music and sound design. " 'Not Still Art' is the best thing that's hapapened to abstract video art
since David Ross's show at the Everson Museum in 1976," says video artist Walter Wright.
The day long festival is hosted by the Micro Museum, 123 Smith St., Brooklyn, (the
Bergen St. Station on the F Train). The Festival Day Pass is $15. if purchased in advance online.
Passes are $20. at the door.
Not Still Art is a sponsored project of
the New York Foundation for
the Arts. It is funded in part by a Presentation Funds Grant
from the Experimental
Television Center and by a Media Action Grant from Media
Alliance, with public funds from the New
York State Council on the Arts. Sponsors include ImprovArt.com,
Telenet.net,
and Promote Art Works, Inc.
The NOT STILL ART FESTIVAL was created in 1996 to celebrate abstract and non-narrative electronic motion imaging and its relationship to music and sound. The visual uniqueness of the electronic medium is a determining aesthetic element in work screened at the Festival. |
"These passionate [abstract] compositions are not limited to the
purely visual celebration of what pleases the eyes. They reach beyond the
world of the senses to symbolize the forces that activate life and the
physical world with all their overwhelming complexity." from Rudolf
Arnheim's essay "What Became of Abstraction?", p. 22, To The Rescue
of Art U. of CA Press, 1992. HR
Not Still Art is a sponsored project of the New
York Foundation for the Arts. It is funded in part by a Presentation
Funds Grant from the Experimental
Television Center and by a Media Action Grant from Media
Alliance, with public funds from the New
York State Council on the Arts. Sponsors include ImprovArt.com,
Telenet.net,
and Promote Art Works, Inc.
The Not Still Art Festival receives promotional support from Media
Alliance at WNET/Thirteen, FIVF/AIVF
and the Bay Area Video Coalition.
Thanks to Telenet.net
for graciously providing internet access and this website in support of
the arts. Festival Director: Carol Goss
Copyright Not Still Art 1996-2000 All Rights Reserved.